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The beauty of the sovereign people is clear.1 TIM-TIM , Viktor El-Saiehs fourth solo presentation at CENTRAL FINE reflects on mythologies of nation-building, folklore, and sovereign identity in Haiti, the land of many mountains

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It never happened in movies again. Dance director Hermes Pan, who helped Astaire work out many of his film numbers, said in one of the public television documentaries on Astaire in the late 1970s: There has never been the same electricity that happened when Fred and Ginger danced together. Producer Pandro Berman, who oversaw their RKO films, noted that Jerome Kern, Irving Berlin, Cole Porter, George and Ira Gershwin and the other major American songwriters of the time all wanted to write for Fred and Ginger. In The Gay Divorcee, the pair danced The Continental and did what Croce called an incomparable dance of seduction to Cole Porters Night and Day. In Jerome Kerns Roberta, they danced to Smoke Gets in Your Eyes. In Berlins Top Hat, they danced Cheek to Cheek. In Berlins Follow the Fleet, their big number was Lets Face the Music and Dance. Their other films included Swing Time in 1936, Shall We Dance in 1937, Carefree in 1938 and--what they assumed at the time would be their last togetherThe Story of Vernon and Irene Castle in 1939