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The form of Cunningham's The Hours is based on alternating chapters focusing on each of the three female characters

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That's why there were no piano songs ..." Hejira was arguably Mitchell's most experimental album so far, due to her ongoing collaborations with jazz virtuoso bass guitarist Jaco Pastorius on several songs, namely the first single, "Coyote", the atmospheric "Hejira", the disorienting, guitar-heavy "Black Crow", and the album's last song "Refuge of the Roads"

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